This two-act bio dramedy examines the 74- year, conflicted, triumphal, and daring life of Pierre Charles L’Enfant, designer of the District of Columbia, as his genius is almost overshadowed by his complicated, volatile, and tenacious mien. 


If you love Washington, you will love this play, But the scope of his influence is beyond the District of Columbia.  No fewer than 11 other National capitals have heavily borrowed from his design, and the L'Enfant imprint is seen in drawings for at least forty  other projects

His architectural design for the city stands in effect today, making Washington the one of the 
 world’s most beautiful capital city.  How did he manage to acquire the awe and appreciation of George Washington, Alexander Hamilton, Thomas Jefferson and a whole slew of Founding Fathers, only to lose their trust, confidence, and patience?   Was he indeed L’Enfant Terrible?  Or just Mr. Hardluck?

  

Born into the opulence of the French nobility, he yearned for the Revolution in America.   Born the son of a prestigious portrait and battle scene artist in the employ of King Louis XV, developed an eye or battle and enveloped plans for an imperial capital city..    Pierre (who demanded to be called Peter) wanted to become part of the American revolution.
 , inclduing the home of Robert Morris. 


The play asks what made this foreigner tick with our founding fathers.  Why did they prize him so much, well aware of his faults: self-indulgence, spend thriftiness? And he did not even get to design the Capitol and Whitehouse. 


    Hamilton and Washington were well pleased with the design but Jefferson was not.  And for one who fought for a Republican democracy, why was he at the center of and pride of y the Society of the Cincinnati, the closest thing to royalty in America. 


He died in poverty, being a guest of the Digges family in what is today Ft. Washington, where he overlooked city but never did return to visit it.  Was it the shame of being evicted from Rhodes Tavern and owing $300?  And how about the suit from his personal partner for 8000 dollars which the architect lost.  Even financial founder Robert Morris tried to mediate.  


The town of Washington was a mess until the mid-nineteenth century.  John Adams and other presidents totally overlook his design. The grand design impressed so many, but by 1820 very little had been effectuated

  But the McMillan commission came in1909
and restored the value of his design.   When he was finally put to rest at Arlington Cemetery with President Taft in attendance, the French Ambassador made a mild understatement.  Pierre L’1enfant yes, wasL'Enfantterribile.  And a genius, so aptly stated by Ambassador Jusserand at the Arngton Ceremony.

And inn the final scene a man called Peter gives a guided tour of the city of Washington which will be enjoyed by all.


 


​​​​​ANTHONY E. GALLO
agallo2368@verizon.net     202 544 6973

PERFORMANCE HISTORY


September 23, 2019                                  Cosmos Club


L'ENFANT

A TWO-ACT HISTORICAL BIODRAMA 

by

ANTHONY E. GALLO

202 544 6973​        agallo2368@verizon.net




CAST  12 men , 4 2omn

  1. Pierre L'Enfant
  2. Pierre L'Enfant, Sr.
  3. Charlotte L'Enfant
  4. George Washington
  5. Alexander Hamilton
  6. Thomas Jefferson
  7. Benjamin Franklin
  8. James Monore
  9. Thomas Digges
  10. William Digges
  11. Catherine Digges
  12. Richard Soderstrom
  13. Martha Washington
  14. Jean Jules  Jusserand
  15. Jenifer
  16. Judge

Richard Rhodes

Frederick Law Olmsted

Dr. Morgan

Father Martin

​President Taft

Joe 

​Jack